Denise Startin West Midlands, United Kingdom
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Artist, Non-Exec. Director, Holyhead Studios, Royal College of Art graduate, MA Printmaking, working primarily with photography, printmaking, site-based interventions, installation, critical and performance writing.

Denise Startin is an artist, writer, researcher and collector. Her current practice and research are organised around four routes, place, memory, history and identity. She is particularly engaged with concepts of heritage, landscape, archaeology, performativity, representation, narrative, mapping and embodied entanglements. Denise studied at the Royal College of Art and her practice encompasses moving image, photography, printmaking, site-based interventions, installation, critical and performance writing. She uses various strategies of production including image and text, autobiography, polyphony, the intimate and fact and fiction, a continually recurring relation is the tension between public and private realms. During this process a historical figure, site, place, event, voice or voices are adopted to activate the work and produce a narrative arc.

Place has long been a theoretical, philosophical and practical concern woven throughout her practice. Denise is particularly interested in the concept of place as a dynamic network of relations that is co-created and continually mapped which contributes to and affects how autobiographical identity is situated. Denise is currently undertaking a practice-based PhD in the Place-based and site responsive practice research cluster at the University of Leeds. She is seeking to investigate a methodological tool and how it can be addressed as a form of mediating specific modes of cultural memory through the medium of place. This dialogue seeks to highlight the significance and complex character of visual, textual, artefactual and embodied experiences of place in constructing and mediating personal narratives of cultural identity and belonging in order to perform their retrieval, survival, communication and recreation. The site chosen to enact these relations and for its historical, national, symbolic or mythological significance is Brontë country, West Yorkshire.

Artwork

Letters to the Landscape, Moving Image, 2025

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Borrowed Light I, Photo Lithography, 2013, £375

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For sale

Rush Hour, Digital Photography, 2021, £250 unframed, Limited edition of 10

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Rock Bottom, Digital Photography, 2021, £250 unframed, Limited edition of 10

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Vol.II ‘So soft tis scarcely heard’, (After R.B.Kitaj) , Photo Lithography, 2013-2021, £325

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Vol.1 709.04 ART (After R.B.Kitaj), Photo Litho & Screenprint, 2013-2021, £295

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Total Eclipse of the Heart, Screenprint, 2012, £325

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"I'm looking through you" The Beatles, Rubber Soul 1965, Photo Lithography, 2013-2021

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The first cut is the deepest, Screenprint, 2013, £195 Artists proof only

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Charlotte's Locks, Screenprint, 2013, £495 unframed

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Breath, Photo Lithography, 2013

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The Index of Love, Screenprint, 2013, £495 unframed

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Coffee cups, 15 minutes of fame (after Andy Warhol), 2013

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Venus Rising – A Deception. (After Raphaelle Peale 1822) , 2012

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Book (after Ulises Carrión), Photography, 2013

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Between a Rock and a Hard Place, 2021, £250 unframed, Limited edition of 10

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Chalet Days III, Photography, 2021, £250 unframed, Limited edition of 10

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The Unbearable Lightness of Being, Photography, 2021, £250 unframed, Limited edition of 10

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Hints for British Tourists, Photography, 2021, £350 unframed, limited edition of 10

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Chalet Days I, Photography, 2021, £250 unframed, Limited edition of 10

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Chalet Days II, Photography, 2021, £250 unframed, Limited edition of 10

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On the Rocks, Photography, 2021, £250 unframed, Limited edition of 10

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Say hello, Wave goodbye, Photography, 2021, £250, Limited edition of 10

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Media
DigitalInstallationPhotographyPrintmaking
Other keywords
IdentityLandscapeMemorySite-specificPerformative